Recently, the discussion about "using AI actors for roles below the second lead" has topped the social media hot search list, marking that the penetration of generative AI technology into the film and television production process has deepened from special effects assistance to the stage of role replacement. Renowned screenwriter Yu Zheng publicly responded to this issue, directly pointing out the irreplaceability of live performances.

Man in a train compartment

Currently, AI actors can complete high-difficulty actions and special character portrayals through digital generation technology, and they have shown significant cost reduction and efficiency enhancement advantages in short-form content production, greatly shortening the development cycle. However, the limitations behind the technological benefits are becoming increasingly apparent: digital algorithms still lack depth in conveying emotional depth and warmth of life, and viewers' psychological defense mechanisms make it difficult for AI characters to establish emotional resonance among peers.

This trend reflects that the film and television industry is currently in a period of intense friction between technology and art. As Yu Zheng said, AI may be a passing trend, but it is more likely to act as a screening mechanism to eliminate mediocre outputs, while the core of creation still needs to return to human thoughts and emotions. In the current context where digital models and live performances coexist, how to balance the leverage of technology with human care has become a crucial issue that the industry must face directly.